When most folks hear the words Film and NYU mentioned in tandem, the personality they’d most likely summon to mind would be Spike Lee, or Martin Scorsese. But if the term Independent Film truly means anything, then without question the person who has most embodied its credo in association with NYU is George Stoney, The Paulette Goddard Professor in Film at the Tisch School of the Arts.
Though the county fair vibe of TFF is fine for folks with children, browsers and downtown vendors, serious filmmakers may be given pause. Sans a distribution platform, or a science-themed script for the Sloan competition, it shouldn’t be a priority on the level of Cannes, Sundance, Toronto, Rotterdam, Berlin or Venice, which all, rightly or not, have established status as hothouses for new talent and new work by veteran directors. Unless the timing of TFF is reconsidered, it’s unlikely to join their ranks.
The 9th Annual Hamptons International Film Festival opened with a presentation of Yurek Bogayevicz’ “Edges Of The Lord” with Haley Joel Osment and Willem Dafoe. Bogayevicz, an acclaimed theatre director who directs films only occasionally, is best known for “Anna.” The closing night film was the much-anticipated Tom Stoppard adaptation of Robert Harris’
The new millennium was unmistakably upon us as the East Coast Video Show wound down on October 11th with a whimper. Outside of $125 hotel rooms in Atlantic City, and casinos squeezing every last penny out of gamblers with $20 buffets and table game minimums of $10, everyone was grumbling about the declining video business, and the onslaught of Video On Demand (VOD). Like MIPCOM, the major companies had a small presence with MGM’s booth almost invisible if you didn’t look for Leo.
Profiles of three women filmmakers filmgoers should keep their eyes on.
Darwin introduced the world to the concept of ‘survival of the fittest.’ Most independent theatrical distributors who bootstrap themselves with their own money don’t make it to ten let alone fifteen years without selling out to Hollywood (Miramax, October) or outside investment sources (Fox/Lorber). Panorama, headed by Stuart Strutin, a veteran of Troma and Vestron’s Lightning Video division, and Steve Florin have beat the odds and have come out on top in 2001 with not one but two critically acclaimed features.
Open City Communications is highly regarded for its imaginative, innovative and properly aggressive public relations support for independent film and video releases, festivals, venues and events.
Considered to have the longest press reach of a publicist in the industry, Marilyn Stewart is one of the rare individuals in the entertainment business who is not interested in promoting her own interests, but rather immerses herself in a client’s project and thoroughly enjoys each that she accepts. Starting her career at the tender age of 17 with MGM, she was trained by the showmen of Hollywood’s Golden Age. In her 20s she was named Worldwide Head of Publicity & Promotion (today’s equivalent of Sr. Vice President) for Paramount Pictures. As with her many other firsts, she was the first woman to hold such a position in the motion picture industry.
10 years ago Bruce Pavlow had a vision to bring to the general public films of political and social importance, as well as innovative films that challenge the complacency of Hollywood. A decade later Leisure Time Features is still providing for our enjoyment, provocative and illuminating films as well as reintroducing some classic films from the past.